戴雅雯名譽教授
作為一個小說作家與詩人，我對於讀者對文學的經驗──以及這些經驗如何被文化、世代、語言、價值觀以及最重要的所涵養感到興趣。因此，我試著為學生在他們文學作品的交融中，開啟一些可能的豐足與潛力，並且引導他們逃離「只為考試而讀」的精神束縛。身為一個喜歡藉著充滿想像力的團隊舞台合作來創造新世界的劇場人，我也試著為學生帶來那些得以藉由扮演其他角色而將自己從日常生活中的禁錮中解放出來的經驗，並且能夠感受一些來自「非功利」事物的熱情。
莎士比亞、生態文學、英文舞台劇表演、英美文學專題-女性主義與戲劇
專書
| 書名 | 出版資訊 |
| Becoming Justina (novel) | Draft2Digital. (2021) |
|
Bound Feet: Stories of Taiwan in Transition |
Bookman Press, Taipei. (2019) |
|
To the Brink and Beyond, Taipei (poetry). |
2012 |
|
Communities of Imagination: Southeast Asian Contemporary Theatre |
University of Hawai’i Press. (2012) |
|
Actors are Madmen and Spectators are Fools: Taiwan Theatre 1988-98（做戲瘋，看戲傻：十年所見台灣劇場的觀眾與表演） |
Bookman Press, (theatre, 2000). |
|
Sringara Tales |
Bookman Press, (short stories ,1996). |
|
Under the Phoenix Tree |
Bookman Press, (novel ,1990). |
期刊論文
| 篇名 | 期刊 |
| The Kinnari Ecological Theatre Project in Southeast Asia | Critical Stages/Scènes Critiques, #26 Journal of the International Association of Theatre Critics |
| Bring ’em Back Alive: Two Popular Narratives of Wildlife Capture and Their Contemporary Legacies |
Euramerica. Vol. 52, No. 3 (September 2022), 373-412. Academia Sinica. THCI |
| Empathetic Exchange of Censored Scenes: Southeast Asian Theatre’s Bold Experiment | New Theatre Quarterly, Vol. 38 (4). November. 2022 AHCI |
| Tiger in the Garden, Elephant at the Gate: Three Zoonimal Narratives |
Tamkang Review, Vol. 51 (2), 3-20 |
| If the Shoe Fits…Wear It! | Performance Research Journal, Vol. 25 (6) May 2021 |
| Revival of Cambodia’s “Non-popular” Theatre: A New Focus on Lakhorn Niyea | Asian Theatre Journal, Vol. 38 (1) Spring 2021 |
| Cicadas and Cockroaches: Kafka Inside Out in Thailand |
New Theatre Quarterly, Vol. 36 (2) 149-159 |
| Human No-Go Zones: Theatricalizing Unintentional and Intentional Wildlife Sanctuaries | Theatre Research International, Vol. 45 (2) July 2020,160-178 |
| Golden Rice and Apples Sliced: Staging GMO Controversy in Snow White and the Apple’s Revenge | Research in Drama Education: The Journal of Applied Theatre and Performance 24 (4) |
| Four Women in the Woods: An Ecofeminist Look at the Forest as Home | Játéktér, November 2019 |
| Poems | Ecozona, European Journal of Literature, Culture and Environment, November 2019 |
| Being Carmen: Cutting Pathways towards Female Androgyny in Japan and India |
New Theatre Quarterly, 34 (4) November 2018, 307-325 |
| “Fools rush in … and succeed: how an outsider’s naivety effected an arts and reconciliation initiative in Indonesia’s Sulawesi | Research in Drama Education: The Journal of Applied Theatre and Performance 23 (4) July 2018 |
專書論文
| 論文主題 | 書名 |
| Plumbing the Past to Project into the Future | Entangled Performance Histories, Routledge |
| Catalyst and Conduit: A Call for the Bicultural Dramaturge | Dramaturgies of Interweaving: Engaging Audiences in an Entangled World, Routledge |
| Human No-Go Zones: Theatricalizing Unintentional and Intentional Wildlife Sanctuaries | Mushroom Clouds: Ecocritical Approaches to Militarism and the Environment in East Asia, Routledge |
研討會論文
| 論文主題 | 會議 |
| Regional Solidarity | Asian-Studies-in-Asia (AAS), Daegu, Korea |
| Women in the Woods | Association for Literature and the Environment (ASLE), Portland, Oregon |
| Theatre of Animals and Gods | ASEAN-ASLE, Chiang Rai, Thailand |
| Enriching the Zoo Visitor’s Experience | Southeast Asian Zoo and Aquarium Association (SEAZA) Bali, Indonesia |
獎助與殊榮
- 2015-23 Ministry of Science and Technology Research Grant
- 2013-2014 Fellowship at Interweaving Performance Cultures, Free University, Berlin
- 2009-2013 4-year National Science Council Research Grant, Taiwan
- 2005-2008 4-year National Science Council Research Grant
- 1995-2023 Annual recipient of Soochow University Publication Award
- 1999 T. Otto Nall Book Grant, Soochow University
- 1991-92 Fulbright Dissertation Fellowship, Taiwan